This summer, we had the chance to spend time at Château de Pont-Rilly, in Normandy, France.
The chateau de Pont-Rilly is situated at the end of a magnificent mile long paved avenue. Designed in 1765, by the architect Pierre-Raphaël de Lozon for the Marquis dʼOurville, it is one of the most impressive stately homes in Normandy. The extensive lawns on which donkeys & sheep graze are divided by small canals providing an ideal space for numerous black swans & ducks. Peacocks roam in the gardens where attractive mixed borders blend into the surrounding greenery. The interior of the chateau has remained unchanged since the 18th century : Versailles parquet, exquisite wooden panelling & rare marble fireplaces, in each room, are the perfect setting for antique furniture.
COOL TM was created as an independent, daring, resolutely modern and subversive field of expression, in the image of a world in search of meaning and ethics.
Each piece is a tribute, the desire to transcribe the emotion that transports us when we think of free personalities. Question the beautiful, the genre, the normal, the bizarre, the extravagant, COOL TM is a refuge for those who dare colors, overlays, shiny and truthful pieces.
COOL TM was meant to evoke a jovial and happy debauchery as a celebration of life. An ode to radical, raw and assumed freedom, with rebellious and lascivious silhouettes where men are sensitive, women are strong and free. We are all equal.
Merging rebellion and romance, punk and bohemia, vintage and avant-garde, COOL TM’s message is modern,subversive, and yet universal. Blurring gender lines and staunchly promoting diversity the brand holds up a mirror to a society undergoing major changes.
Thank you to NOSE PARIS & COOL T.M to have associated Nuit de Bakélite by Naomi Goodsir to the event at Galerie Vivienne on June 23rd , 2021 in Paris, according to Spring/Summer 2022 catwalk.
Gabrielle Allam & Brian Hoy are long time friends & talented interior designers, based in Sydney. One of their latest projects featured in BELLE MAGAZINE, November 2020 issue.
Au Parfum vous propose un dossier qui présente la genèse, le développement et les rouages d’une création olfactive hors normes, Nuit de Bakélite d’Isabelle Doyen pour Naomi Goodsir. Cette série est née de la même envie de décortiquer un parfum unique comme le premier article consacré à L’Heure perdue de Mathilde Laurent pour Cartier.
Nobuyoshi Araki, Feast of Angels : Sex Scenes, 1992 (Source : Artsy)
Alberto Giacometti, Fil tendu, 1932 (Source : Kunsthaus Zürich)
Isabelle Doyen, Perfumer - Credit Evgeniya Chudakova for Fragrantica
Isabelle Doyen & Naomi Goodsir, Credit Egobox
Louise Bourgeois, Insomnia, 1996 (Source : The Museum of Modern Art), The Small Hours de la série What is the Shape of this Problem ?, 1999 (Source : Malin Gallery) et Untitled, no. 68 of 220, de la série The Insomnia Drawings, 1995 (Source : The Museum of Modern Art)
Sindroms is a journal of monochrome states of mind, published in print biannually. Curating its content based on specific colours, it investigates them across culture and immerses its readers in the feelings and moods evoked by each colour.
Nuit de Bakélite by perfumer Isabelle Doyen is happy to be part of this evergreen sindrom - Design by Studio Goodsir. Photo by Jean-Michel Sordello
Ian Moore is a New Zealand born, Sydney based Architect, known primarily for his residential projects across Australia and New Zealand. His influences range from his childhood living in lightweight timber framed houses in New Zealand, his time spent working on Norman Foster's Hong Kong and Shanghai Bank headquarters, the California Case Study Houses, Jose Coderch in Spain and everything Brazilian.
À fleur de peau. Vienne 1900 (Under the Skin. Vienna 1900) adopts a novel approach to this capital period. Offering to go beyond the classic contrasts – Gustav Klimt’s generation versus Egon Schiele and Oskar Kokoschka’s, symbolism versus expressionism in drawing and painting, or floral versus abstract ornamentation in the applied arts – the show traces the emergence of a new sensibility that found expression in artistic practices that focused on the skin. By exploring the mysteries of this sensitive surface, Vienna’s modernists would redefine the connections between humans and the world, everyday objects and their environment, buildings and streets.
The Palais Galliera presents "Back Side / Fashion from Behind", an off-site exhibition at the Musée Bourdelle which focuses on clothing seen from behind.
In a society that is obsessed with people’s faces, "Back Side / Fashion from Behind" is an original and unexpected theme. By addressing our body’s relationship to clothing from a social and psychological point of view, the exhibition questions the perception we have of our own and other people’s backs.
Rick Owens
Alaia
Antoine Bourdelle atelier
Comme des Garçons
Alexander McQueen
by Antoine Bourdelle
Martine Sitbon
Scale model of the Théâtre des Champs-Elysées by Antoine Bourdelle
With Bourdelle's 19th century studios and Christian de Portzamparc's modern extension from 1992, the Musée Bourdelle offers to its visitors a unique range of exhibition areas, along with welcoming gardens that are ideal for a relaxing stroll at the heart of the Montparnasse district.
From the intimacy of Bourdelle's apartment, where the artist worked, to the immensity of the Great Hall full of plaster casts bathed in soft light, visitors are free to follow their own path among the sculptor's work.
With Rodin and the sculptor Desbois, Antoine Bourdelle founded a free sculpture school in Montparnasse. In his attempt to find his own way, Bourdelle freed himself from the style of Rodin. His Tête d'Apollon (Head of Apollo) which he began that year, shows a different way of thinking : "I broke away from the accidental, in search of the permanent plane" (Bourdelle, Ecrits sur l'art et sur la vie - Writings on Art and Life).
The decade of 1919-1929 proved a time of great official commissions : La Vierge à l'offrande (The Virgin of the offering) (1919-1923) erected in Alsace and La France (France) (1925) in front of the Grand Palais for the Decorative Arts Exhibition. The Monument au général Alvéar (Monument to general Alvear) was inaugurated in Buenos Aires in 1926, and the Monument à Adam Mickiewic (Monument to Adam Mickiewic) in Paris, on 28 April 1929.
After the exhibitions showcasing Marcel Duchamp, René Magritte, André Derain and Henri Matisse, the Centre Pompidou continues its re-examination of key 20th century works by devoting a major exhibition to Francis Bacon. The last major French exhibition of this artist’s work was held in 1996 at the Centre Pompidou. More than twenty years later, Francis Bacon: Books and Painting presents paintings dating from 1971, the year of the retrospective event at the national galleries of the Grand Palais, to his final works in 1992. Didier Ottinger is the curator of this innovative exploration of the influence of literature in Francis Bacon’s painting.
Tivoli Gardens was founded in 1843 and has become a national treasure and an international attraction. Fairy tale writer Hans Christian Andersen visited many times, as did Walt Disney who even found the inspiration to his own Disney World here.
Part of Tivoli Gardens' secret is that there is something for everyone. The scenery is beautiful with exotic architecture, historic buildings and lush gardens. At night, thousands of colored lights create a fairy tale atmosphere that is completely unique.
For a drink/cocktail, we recommendRUBY, an institution in Denmark.
For dinner, try modern Dansish cuisine at the (Michelin rated) restaurant GEMYSE inside Tivoli Gardens
“TIMELINE” at the Galerie des Ponchettes in Nice (France), the artist creates an immersive environmental installation like a garden of delights, in which frescoes, ruins ans spontaneous vegetation offer an experience of time. The landscape dreamed up by Michel Blazy reveals what appear to be ancestral frescoes. Dotted with everyday objects - a hard disc, a brick, a pipe, a coat, a bottle - overrun with prolific vegetation, the space appears to belong to another time, like a forgotten ruin. In the center, a heap of coal is overgrown with vegetation, reborn from its ashes. A landscape drawn on an architectural scale like a post-romantic garden of meditation.
“TIMELINE” at The Galerie des Ponchettes / MAMAC, Hors des Murs. July 7th /November 4th 2018. 7, Quai des Etats-Unis, Nice - France. www.mamac-nice.org
A new take on an emblematic ‘pièce de mode’, a cape by Naomi Goodsir for Amanda Harlech & Tim Walker (Vogue Italia Sept.issue 2018). Hand Stitched iridescent green elytra (in black it works as well).
SOMETIMES, LIFE GIVES YOU A UNIQUE OPPORTUNITY TO CREATE A CUSTOM MADE PIECE FOR SOME INCREDIBLY TALENTED ARTISTS IE: TIM WALKER (PHOTOGRAPHER) & AMANDA HARLECH (STYLIST). NOT EVEN A HAT, BUT A CAPE STITCHED WITH BEETLE WINGS. THANK YOU TIM & AMANDA- BEAUTIFUL!
